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The Cuckoo's Calling (Cormoran Strike)

The Cuckoo's Calling (Cormoran Strike)

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Language English
Contributor(s) Robert Galbraith
Binding Paperback
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Overview: The Cuckoo's Calling

The Cuckoo's Calling has been authored by JK Rowling under the pseudonym of 'Robert Galbraith'. After her much acclaimed Harry Potter series and the stand-alone Casual Vacancy, Rowling now brings you a breathtaking thriller novel in The Cuckoo's Calling. This 464-page book on crime fiction is centred around a private investigator called Cormoran Strike, who is hired by John Bristow.

Bristow is the adopted brother of famous supermodel Lula Landry, whose mysterious suicide alerts Bristow that this suicide is more than what it looks. This may be murder because Lula had taken a particular interest in investigating her biological roots before her untimely death. Lula was a 23-year-old mixed-race girl adopted into a wealthy white family. What could have Lula stumbled upon that forced her to take her own life? Was it as plain and simple as it look? Did Lula really kill herself or was it the work of someone else? Read more to find out.

JK Rowling is a British novelist, who is best known for being the author of the best-selling Harry Potter fantasy series. Her books have gained worldwide attention, and she has sold over 400 million copies. She is also the winner of many awards including the British Book Awards for Author of the Year 2000, Hugo Award for Best Novel, and more.

The Cuckoo's Calling received almost universal critical acclaim despite not being a huge commercial event. It's sequel, The Silkworm, is soon to be released. This book was published on August 5, 2013 by Sphere in paperback binding. It has the ISBN 10 number of 1408704005 and ISBN 13 number of 9781408704004. This exported edition of The Cuckoo's Calling is now available for online shopping. Order for it today and get it delivered right at your doorstep in just a couple of days.

Product Details
Language English
Publication Date August 5, 2013
Publisher Little, Brown Book Group
Contributor(s) Robert Galbraith
Binding Paperback
Edition Export ed
Page Count 464
ISBN 10 1408704005
ISBN 13 9781408704004
Dimensions and Weight
Product Dimensions 15.4 cm x 3.3 cm x 23.1 cm
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  1. 1 of 1 people found this review helpful
     J.K Roowling's first psydonym 11 December, 2013 On
    Potential television series title #21: LONDON STRIKE

    Alright, let’s address the hippogriff in the room: finding out that J.K. Rowling published a book under a pseudonym is something that I had I expected might happen post-Potter (and, embarrassingly, searched for), but when the question was brought up as to whether or not she'd write under one, she dismissed the idea, saying that people would quickly find out it was her (which, after reading The Casual Vacancy I concur with, as the tagline could have been "WELCOME TO DURSLEYVILLE"), so the idea was sort of debunked for me.

    First, I feel that it’s necessary to offer in preamble that I actually liked The Casual Vacancy. Yes, it offers some views that some may find preachy, and Rowling’s stream-of-narrative writing lacks subtlety and dilutes the rawness of her characters. However, I also found it quite affecting- in fact, I’ve since read the novel a few more times more objectively, and the craft behind it becomes more apparent with each re-read. Did Franzen handle social satire better? Yes, but Rowling is in tight possession of a unique, wry wit that’s all her own. I think that the problem that many fans had is that they’re accustomed to the J.K. Rowling who writes about morality on a large scale- great battles of good and evil staged with dragons and goblins and ghosts, entrenched in themes of friendship, love, and death. The Casual Vacancy is also a morality tale- but the characters are so clueless, self-destructive and human, that a fan of the Harry Potter books can’t help but emerge disappointed.

    Fortunately, The Cuckoo’s Calling doesn’t strive for such heights.

    When I first heard about the book (after fixing the hole in the ceiling caused by my gargantuan leap of joy) I was excited. I mean, I’d much rather see J.K. Rowling whip out that killer gift for world building that she has in the realm of science fiction or fantasy, but she is equally skilled in mystery writing. I’ve always, always thought of The Chamber of Secrets as a mystery novel. That was always the appeal of it to me, and I felt that it stood out from the rest of the books because of it. But after J.K. Rowling wrote in the FAQ section of the new Cormoran Stike website that all of the Harry Potter books are essentially who-dun-its, with the exception of the fifth, I realized that they are. Each is essentially a search for a culprit using a limited amount of clues.

    Potential television series title #19: BBC’S SHERLOCK HARRY—Ep. 1: “A Study in Potions”

    But one doesn’t even need to view the Harry Potter books as mysteries in order to expect Rowling to be a great mystery writer- the immense amount of plotting and interweaving of detail throughout the books is commendable, and alone legitimizes the size of whatever paycheck Rowling got after every book. One of the biggest problems film makers had when adapting the final books of the series is that they came to realize that details that they had carelessly discarded bore great significance in the final books. An invisibility cloak becoming a Hallow, a friend’s pet rat an animagus. We know how skilled J.K. Rowling is at creating red-herrings and false trails already.

    One doesn’t even need to read all of the books to understand this. Just one chapter, in the Goblet of Fire. In an interview with Charlie Rose last year, J.K. Rowling revealed that chapter 11 of the fourth installment of the series was one that she wrote and rewrote the most, in order to draw suspicion away from a newspaper article written about Mad-Eye Moody. The intention was that it was to be written so that it could be interpreted and reinterpreted by other characters and the readers, so that we wouldn’t figure out the truth about Moody’s character until the end. This shows us that Rowling has an eye for the way the reader thinks, something that comes in handy for her towards the climax of Calling.

    Still, I had my reservations (see all 503 pages of The Casual Vacancy).

    Potential television series title #7: ROBERT GALBRAITH’S (A.K.A. J.K. ROWLING’S (it’s out now, so we won’t look like douchebags for marketing it this way)) CORMORAN & ROBIN

    But I was pleasantly surprised by The Cuckoo’s Calling. I don’t read much mystery, although I did read a lot of Agatha Christie when I was younger and watch BBC’S Sherlock now. When I do encounter a mystery, however, I judge it by how well it manages to surprise me. For me, this includes the author laying out all the details for the reader at the beginning- no big surprises towards the end masquerading as a clever twist that are really meant to keep the reader from finding out who did it. It’s the job of a good detective—and a good mystery writer—to piece together the clues in a way that the reader doesn’t, but theoretically could have. Rowling does this, balancing a cast of characters and an assortment of clues so numerous that I can’t imagine even the most dedicated mystery savant keeping up. The suspects at one point all seem to have iron-cast motive and opportunity, Rowling quickly outsmarting the reader.

    The plotting and the sheer intricacy of the details woven throughout might be the most impressive that I’ve ever encountered in a modern mystery novel. The utter tautness of the book, quite frankly, blew me away. It sticks to the traditional mystery formula. Rowling doesn’t have a Gillian Flynn-like touch on the genre. There’s the obligatory introduction of each character and clue to the point where it feels like speed-dating, and there’s a long exposition at the end about what happens. I was so impressed by the ending, though, that the cookie-cutter feel of it became subdued. And everything- which is perhaps what was most refreshing- is realistic. There’s no shocking conclusion and- thankfully- no ludicrous segueways between connections.

    Rowling’s gift for prose is evident, once again showing her finesse at maneuvering the English language. Although hardcore mystery fans may get a little tired of Rowling’s Dickensian style, I was always interested. In the sluggish, monotonous mid-morning hours at work I found myself wanting to pick up my copy of the book to see what happened next.

    Her characters are great. The relationship between John and Robin is sweet but covers all its bases- I like that their friendship is just a “friendship,” but it’s not like they’re not going to each consider the romantic possibilities of the other. Cormoran’s handicapped, ex-military character felt a little too John Watson for me, but his role as a character that prevails and doesn’t wallow-for the most part-is satisfying. I enjoyed Robin’s character too, and hope her part is bigger in the next installment.

    The presence of socioeconomic dynamics is featured heavily throughout the novel, and plays key parts in the mystery itself, lingering among character motivations and plot connections. I thought that it was a fascinating feature to include in a mystery novel, and gave it its distinct taste- but I hope that this doesn’t become a recurring theme throughout the series. It’s relevant here, but I prefer it as the atmosphere for one mystery alone. These dynamics are relevant ones in our culture, but the way that Rowling presented it in Vacancy was found unpalatable by a lot of readers. If she keeps it in play for each of her subsequent mysteries the way she does here, then the reader might grow bored. Some series’ find their tone in a shift of setting, going from the slums to high society. It’s the job of the main characters to keep the setting grounded, and with the team of John Bristow and Robin Ellacott, Rowling’s got the materials on hand.

    In other ways, however, it feels like Rowling hasn’t found her tone as a writer. The ambiance here doesn’t take on the meaty, rich qualities that have characterized the most renowned mystery writers- Robert Louis Stevenson’s gift for describing shadowy alleys and nightmarish supernaturalism is his hallmark, Christie equally adept at creating grim atmospheres sans the magical realism. Rowling’s writing is beautiful, but it seems to languish in contemporaneity. In this way it’s not an escapist novel- immersive, yes, but I found myself becoming more aware of the present rather than absconding from it.

    Bottom line, The Cuckoo’s Calling incorporates potent mystery writing, intricate plotting, and likable characters, showcasing some of Rowling’s best skills as a writer, even if her others don’t appeal entirely to the target audience here.

    UPDATE: I've finished the book, and I was right about Rowling's deftness at mystery writing, particularly around the part about The Chamber of Secrets. Full review to come, but highly recommended. Not phenomenal or on par with Potter, but all the things that didn't work in Vacancy are very much present except that they work in a mystery setting, and that it's all very, very good. Tightest, most intricate plotting I've ever seen in a mystery novel.

    So, finding out that J.K. Rowling published a book under a pseudonym is something I'd always expected (and, embarassingly, searched for), but when the question was brought up as to whether she'd write one, she said everyone would figure it out right away (which, after reading The Casual Vacancy I concur with, as the tagline could have been "WELCOME TO DURSLEYVILLE"), so the idea was sort of debunked for me. I'm slightly disappointed that I haven't heard of it, which means that it hasn't received enough acclaim to cross over to the mainstream on its own, which is less than I'd like. But people-

    a) It's a J.K. Rowling book
    b) We don't have to wait for it. It's already out.

    I liked The Casual Vacancy. But I think that the main issue many fans had was that J.K. Rowling is an author who deals with morality on a huge scale, epic battles of good vs. evil, friendship, loneliness, adolescent turmoil and every other drama you could think of set on a stage featuring dragons and ghosts and goblins. Her knack for making rich as well as lovable characters is her hallmark, so segueing into a world where the characters are not only clueless and blind but also distinctly unlikable couldn't have been very easy for fans. Also, her voice as omniscient third-person narrator is certainly well-written as a stream of prose, but sort of diluted the significance of her characters; Vacancy also lacks the edge that made similar novels by Jonathan Franzen (The Corrections) and Maria Semple (Where'd You Go, Bernadette), better. After multiple re-readings of Vacancy, I've grown to like the book a lot more- or rather appreciate it more, because while the craft behind it becomes more obvious with each read its overcast mood is unaccompanied by a payoff.

    But this is a crime novel. Why am I excited for this? Because I've always, always thought of The Chamber of Secrets as a mystery novel. You don't even need to look at that book alone to know that Rowling is a master of mystery writing, the seemingly meaningless details sprinkled throughout the Harry Potter series bearing much more gravitas in later installments (much to the chagrin of filmmakers, cutting out important details due to lack of knowledge of said installments). Red herrings and false trails are an essential component in mystery writing, which she is undoubtedly skilled at creating.

    So I'll be much more wary of you now Ms. Rowling, and I while I would still prefer that you return to fantasy, or even science-fiction, and even though I sense that you're becoming a very hit-or-miss author, your hits are still potent enough for me to want to read anything and everything you'll ever write again.
    Thank you for your feedback Was this review helpful to you?
  2.  A Good Read 19 November, 2013 On
    I am sure we don’t need to pretend that Robert Gilbraith exists. The author of The Cuckoo’s Calling is none other than J.K.Rowling, the no-intro-needed author of the super-brilliant Harry Potter. And it was because of my awed admiration for the amazing imagination and creativity that went behind Harry Potter that I didn’t waste any time before buying her debut mystery novel.

    The story starts with the ethereal supermodel, Lula Landry, falling to death from the balcony of her multi-million dollar penthouse. While all evidence points to suicide, her neighbor, Tansy, a famous producer’s wife, swears she heard Lula arguing with a man moments before she fell. But how could she have heard through soundproof windows? Is all the drugs she has been known to take playing with her mind, and her ears? Lula’s brother, John Bristow, doesn’t think so. He also thinks that the surveillance camera footage of two men running away from the scene has something to do with Lula’s death. He hires Detective Cormoran Strike to delve deep and unearth evidence to prove that his beautiful, young sister was murdered. Strike, the one-legged ex-army man, recently through with a draining relationship and practically broke, sets out in search of truth, more to scrape for rent money than for anything else. In tow is his temporary assistant, Robin, who turns out to be much more helpful than he (or even she) ever expected.

    In the process, we get a sneak peek into the glamorous world of fashion, of skimpy dresses and designer handbags, of drugs and loneliness. We also get answers to a lot of questions, strategically placed throughout the novel: How actually did Lula’s brother Charlie die at the age of ten? Why did Lula’s foster mother adopt three children? Why does Tony, Lula’s uncle, seem to hate John Bristow? Was Tansy really in her living room when Lula fell? Where is the blue paper Lula’s driver saw her writing on? How can Lula’s impoverished friend Rochelle afford an Italian designer coat? Was Lula’s boyfriend Evan really at the drug dealer’s when she died? Does best friend and fellow model Ciara Porter know more than she is letting on? And finally, it comes out why and how Lula died.

    The story flows fast and smooth, though there is not much in it to make the reader hold his breath and hyperventilate (yes, I have read thrillers like that!), and my finger-nails are still intact too. That is not to say that The Cuckoo’s Calling is not exciting. It is, and I couldn’t have given up reading it till all the myriad jigsaw pieces had fallen in place with a resounding ‘click’.

    The twists are interesting, if not electrifying; and the ending is unpredictable and satisfying, if not a downright shocker. There can be no doubt about Rowling’s penmanship, and even though I felt the novel could have been shorter than its 450 odd pages, my interest didn’t falter at any point. This is no Sherlock Holmes, or even Hercule Poirot, but in its own way, it’s a good read. Get yourself a copy.
    Thank you for your feedback Was this review helpful to you?
  3.  Swish and flick of pen! 13 September, 2013 On
    When Rowling writes's always similar to the swish and flick of the (wand)pen...Harry Potter will always be an integral part of my life - until I take my last breath.

    I grew up reading Harry Potter, it was like growing up along with him. Children these days won't be able to experience that feeling because their parents would buy them the entire seven book set. In my case, I waited for the release for each book.

    I'm in my twenties, I do fancy Harry Potter - still, but my needs have changed. The Cuckoo's Calling, belongs to such a genre that goes along with my present age as well as taste.

    The story begins with a dramatic scene - a cold wintry night of London, paps flashing their flashes, and a broken dead body on the street.

    3 Months Later

    After being proved to be a suicide, a bereaved brother consults Cormoran Strike, the contemporary London sleuth, neck deep in debt, ex-soldier (who lost his leg in war), ex-SIB and an ex-fiancée. Rowling introduces a normal man with normal problems.

    Why he works?
    He is not as deductive as Sherlock, he is not as shrewd as Miss Marple, he is not as logical as Poirot...well to sum to all...he is very different from all the fictional sleuths out there. Rowling develops a unique identity of Strike. You'll find him 'brainstorming' throughout the novel. It's a most integral part of modern Design Thinking process. You'll find him feeling the pain of prosthetic his leg, you'll find him empathising with his temp secretary, you'll even find him in a one night stand scenario with the "murdered Cuckoo's" friend cum super model.

    “I’ve only got one leg.”
    “Don’t be silly…”
    “I’m not being silly…it got blown off in Afghanistan.”
    “Poor baby…” she whispered. “I’ll rub it better.”
    “Yeah—that’s not my leg…It’s helping, though…”

    I was in semi laughter fit type situation when I read the above. Rowling wants to come out of the closet. Obviously, this book is not even near to what a child should read. But, obviously she did not write this for children. It's an adult fiction. You'll find a designer named Guy Some (pronounced Ghee Som not the obvious Guy Somee) who likes 'being taken roughly from behind', you'll find a super model Ciara Porter who also likes 'being taken from behind by big guys', you find the subjective use of F word, you'll find everything that is mature and metro-sexual.

    Then there is the character of Strike's secretary, intelligently named: Robin. I wondered throughout the novel, is the Robin from Batman the inspiration behind this character?
    She's a young, feisty, ambitious, intelligent, quirky, shrewd woman. She's like a right handed man of Strike. Though they meet each other first by 'striking', by him saving her from falling down the stairs, by him 'grabbing a substantial part of her left breast' to save her falling; they develop a mutual connection throughout the novel. The sexual tensions, the pink moments, the impressing each other's all there.

    Strike wouldn't have been this much real without Robin. Just as there is not Batman without Robin, I now cannot imagine Strike without Robin.

    I wouldn't go deep into the story, I'll leave that to you. It's a must read for seasonal Rowling fans (only young-adults and adults) out there.

    Some were quite devastated when she hugged a bolder approach in The Casual Vacany...most didn't like it. Most suggested that she should stick to writing for kids. So, she did the obvious. Got herself published under a pseudonym. I don't know whether the leak regarding her being the author of Cuckoo's Calling was a genuine one or a planned one. Only Rowling herself along with her PR agency and Publisher know the truth, but whatever it was, it worked wonders. The first positive point that it made was that before it got all leaked, people gave genuine reviews. They didn't compare her older Potter saga with this tale. The second point - after the leak - it boosted the sales!

    As an ending note: Bravo! She's a gifted author!
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  4. 5 of 6 people found this review helpful
     Hard to put down! 31 July, 2013 On
    J.K Rowling's style of painting a picture with words by being extremely elaborate and detail oriented is apparent in this mystery novel. Even though well detailed, the narrative never gets boring and keeps the reader hooked. The novel offers a great concoction of the personal lives of the characters and the mystery itself. The characters are well defined and are relatable. Overall, great read and worth every minute.
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  5.  Quite dull so far 10 October, 2013 On
    I have struggled with this book so far, except few engrossing pages, it is quite dull. I am on the 90th page and don't want to continue. I might come again and change my opinion, if I am able to finish it.
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